Bryan Peterson Photography School by Bryan Peterson
Author:Bryan Peterson [Peterson, Bryan]
Language: eng
Format: azw3
Publisher: Clarkson Potter/Ten Speed
Published: 2021-07-27T00:00:00+00:00
CANON 7D
CANON 24â70MM LENS
F/22 FOR 1/4 SECOND
ISO 200
CLOUDY WB WITH CANON SPEEDLITE 430EX FLASH
NIKON D300
NIKKOR 12â24MM LENS
F/22 FOR 1/4 SECOND
ISO 200
CLOUDY WB WITH NIKON SB-900 FLASH
â Hereâs an image pairing of my own to show you how a flash can be used to kill the ambient light and create a solid black backdrop. When I caught sight of this bright yellow bearded iris, try as I might, I couldnât isolate the flower from its background, even when shooting at f/4 with my 70â300mm lens at a 300mm focal length. The background was visually flat, with no real opportunity to render out-of-focus tones, and the soft overcast light didnât offer any opportunities to isolate the flower via contrast. You can see my first disappointing attempt on this page. It was then that I realized that I could, in fact, isolate the flower by illuminating it with the aid of my flashâmy miniature sun. If I selected a shutter speed fast enough to kill (meaning severely underexpose) the ambient light, the sole illumination would come from the flash.
Setting my camera on a tripod, I attached my flash to the cameraâs hot shoe using a TTL cord and set it to TTL Mode. Since depth of field was not an issue, I chose a âWho cares?â aperture of f/8. My camera indicated that 1/15 sec. would give me a correct exposure, but since I wanted to kill the ambient light, I underexposed by 4 stops, choosing 1/250 sec. All that remained was to check the flash range for my flash-to-subject distance. I held the flash about four feet directly above the iris to eliminate any risk of the flash extending beyond it to light up other nearby plants, however faintly, and voilà , the flower was now isolated from the background, as if someone had draped black fabric behind it (see this page).â
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